The Roger Rabbit Short Films

[StevePulaski]

Tummy Trouble (1989)
Directed by: Rob Minkoff and Frank Marshall

Roger Rabbit in Tummy Trouble.

Rating: ★★★

Tummy Trouble follows the misadventures of Roger Rabbit (voiced by Charles Fleischer), who is placed in charge of watching Baby Herman when his mother needs to run errands. Herman instantly throws a temper tantrum that results in Roger panicking, even more-so when Herman winds up accidentally swallowing his favorite rattle. In an effort to restore sanity to Herman's home, he must comfort Herman's stomach pain, control his incessant wailing, and restore order to their home, which rapidly descends into array. Also in the picture is a doctor, who tries to help the situation, but only winds up creating a dangerous playground upon which Roger and Herman wreak havoc. The result is chaotic and reckless as can be.

The Roger Rabbit short films possess similar qualities as Tom & Jerry shorts and the Looney Tunes bits that focus on Sylvester the Cat painstakingly trying to outwit Tweety Bird. The result is a brash and hectic parade of visual gags for seven minutes before a fourth-wall breaking sequence at the tail-end of the short. Tummy Trouble showcases this brand of fast-paced, blink-and-you-miss-it humor done right, with enough emphasis on the limitless boundaries of animation to make this a favorable entry in the genre. The beauty of animation is such ridiculousness like what is shown in this short can be conceived so shamelessly, and through a loving blend of chaos and a smoothly introduced (and flawlessly executed) live-action sequence, there's little not to love here.

Voiced by: Charles Fleischer, Lou Hirsch, and Kathleen Turner. Directed by: Rob Minkoff and Frank Marshall.

Roller Coaster Rabbit (1990)
Directed by: Rob Minkoff and Frank Marshall

Rating: ★★

Rollercoasters are an ideal inclusion in animated films because they possess the ability to be devices for high-flying, gravity-defying, unapologetically ridiculous situations for the story's characters. Consider Bébé's Kids and its emphasis on misadventures at a local theme park involving a slew of toddlers. Roller Coaster Rabbit looks to have that same kind of emphasis, but its end result is a messy and fairly uninteresting blend of visual gags and routine silliness that shouldn't be so casually accepted by fans of the once-visceral and original Roger Rabbit character.

The film revolves around Roger Rabbit (voiced by Charles Fleischer), Baby Herman, and Mrs. Herman (April Winchell), all of whom are spending their day at a fair. When Baby Herman winds up losing his red balloon, Roger goes to fetch him a new one, but not before Baby Herman attempts to get another one; here is what sets the film's plot into motion. Baby Herman escapes the company of his mother, which sends Roger into a panic and various desperate attempts to recover both Herman and the balloon. At one point, the two end up provoking a bull in a bull-riding arena, in addition to climbing aboard a roller coaster for a frightening ride, all while Roger tries to rescue Baby Herman and Baby Herman continues to escape danger just as easily as he found it, leaving Roger to bear all the battle wounds.

There is one truly great scene in Roller Coaster Rabbit and it comes when Roger leaps onto a roller coaster in order to fetch Baby Herman. During this time, for about five seconds, we see a point-of-view shot of the roller coaster's path, which sends us into a dizzying, almost hallucinatory, trance as it shows the cars of the roller coaster essentially eating up the track at the speed of light. It's a phenomenally executed scene in a short that unfortunately finds the need to settle for rather perfunctory sight gags that make this a monotonous and foreseeable Tom & Jerry skit done without any of the flair and less remarkable excitement.

Voiced by: Charles Fleischer and April Winchell. Directed by: Rob Minkoff and Frank Marshall.

Trail Mix-Up (1993)
Directed by: Barry Cook

Jessica Rabbit is a forest ranger in Trail Mix-Up.

Rating: ★★½

By 1993, the cultural footprint and relevance of the smash-hit Who Framed Roger Rabbit? had faded from the mind of the public, which explains why Buena Vista decided to attach Trail Mix-Up, the third and final short film involving the Roger Rabbit character, to a A Far Off Place, a relatively low-key, small-budget studio release that had mediocre returns. In addition, by this point, the sheer magic and originality of blending live action and animation was a novelty that went by the wayside, so the only thing that was left for Roger Rabbit to try and remain relevant was to concoct a short that went back to the basics in terms of what it emphasized; in Trail Mix-Up's case, it's the juvenile qualities of Roger Rabbit and Jessica Rabbit's assets.

The short opens with Roger Rabbit (voiced by Charles Fleischer), Baby Herman, and Mrs. Herman (April Winchell) setting up camp at a local park, with Roger in charge of looking after Baby Herman, because he has a track record of doing so well at such a task. As one expects, Herman winds up wandering into the forest, and scaredy-cat Roger has few skills that aid him in surviving in a woodsy setting. This is where the busty, gorgeous, and unabashedly sexualized Jessica Rabbit (Kathleen Turner) flaunts into the picture. She's the forest's local ranger, as she shakes her bust and wiggles her petite waist and perfect round rump in order to "help" Roger find Herman before more danger faces him. But not before Roger can have his face flattened like a pancake and be shredded by a sawmill.

Trail Mix-Up, while sporadically funny and still admirably full of energy like the two shorts that preceded it, essentially admits defeat and shows why Roger Rabbit faded out of relevance in the public. With new, ground-breaking animation just two years on the horizon and a cry for more story-based shorts and films that didn't settle for cute dinosaurs and rambunctious rabbits, the reckless Roger, the fearless Herman, and the buxom Jessica Rabbit just didn't seem to hold the kind of ground in the 1990's as they previously held in the 1980's. The good news is that this kind of material doesn't find itself dated in terms of content, and is still just as amusing today because of its slapstick and setups as it was when it was released. Whether it directly calls for future projects, I can't say, but it does work to suggest that this serves more as a "see you later" with an unclear meaning or span of time for that last term.

Voiced by: Charles Fleischer, April Winchell, and Kathleen Turner. Directed by: Barry Cook.